littlemissmandu

Word wright/Square Eyes/Procrastinator/Geek. Dudette at Reflector Films. 'Best Cheerleader' 1992. Eurasian Daisy Steiner.


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Writing in the Dark

Sometimes writing gets hard. It gets really, really hard. Its isolation can be matched by the drive to do it. Feel glum chum? Read on…

shut up and deal

Five months ago, I started telling friends I felt burnt-out. My output was slowing, it took longer to get it to a place of quality and I was getting tired quicker and quicker.

And then I went to Edinburgh. For a month. With three commission deadlines to meet.

Now in one way, Edinburgh was One Of The Best Things I’ve Ever Done TM. In another it left me a completely self-loathing, miserable shell of a man. In the weeks and months afterwards, I was anxious, my thinking was foggy and I couldn’t seem to properly empathise with or understand people consistently. As a writer you rely on your clarity of thought and strength of observation so that disconnect was all fairly crippling for my work.

But I had a lot of deadlines.

To be clear, the absolute best thing you can do at this point like this is TAKE A TIME…

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I’m not changing a word of this

“When someone reads your script &gives you notes… Act on them, apply them. You are not a genius. You are just a schmuck” via @Glinner blog

Why, That\'s Delightful!

shakey(This was originally posted on my Posterous blog. Re-upping it for @gerstaunton  and anyone else who might be interested.)

People often ask me for for writing advice and I usually respond by pointing them to my DVD commentary for IT Crowd Season 4, which is a complete guide to writing a sitcom from concept to screen. Everything I knew about sitcom writing to that point in time is on that DVD, so when people ask me for advice, that’s literally the most helpful thing I can do for them. The fact that it also gives me an excuse to plug the DVD is completely beside the point, of course.

But there is one piece of advice on which I may not have placed enough emphasis, because it is almost impossible to place enough emphasis on it, and it is as follows: when someone reads your script and gives you…

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Visual Representations of 15 Over-Used Movie Poster Clichés

Ever wondered how to design your movie poster? Wonder no more, here are the Visual Representations of 15 Over-Used Movie Poster Clichés via @flavorwire

Flavorwire

Have you ever felt like you’re seeing the same movie poster over and over again? Well, you are, in a way. As it turns out, film posters have several very simple tools (color, text size, figure placement, etc) to signify what kind of movie they’re advertising without you really even having to read its name or tagline. The ever-observant Roxane Gay linked to this article over at HTMLGiant, which led us to these incredible visual representations of some of the movie poster clichés and tactics that are reused over and over (and over) again, masterfully compiled and designed by Christophe Courtois. Click though to see fifteen incredibly repetitive movie poster design clichés, and let us know if you can think of any more!

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